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Conference Presentations

Panels Organized

Arousing the Senses: Sonic and Digital Dimensions in Performance Working Group Session. American Society for Theatre Research. San Diego, CA. November 2018.

Violent Bodies, Violent Acts Working Group Session. American Society for Theatre Research. Atlanta, GA. November 2017.

Spectacles of the Sacred in Musical Theatre. Association for Theatre in Higher Education. Las Vegas, NV. August 2017.

Papers Presented and Roundtable Participation

“Resolved, That Since the Public Wants Me, I Have Come to Stay: Playbill’s Early Pin-Up.” Association for Theatre in Higher Education. Orlando, FL. August 2019.

“Playbill’s Pioneering Founder? Frank Strauss and the Modern American Theatre Program.” Mid-American Theatre Conference. Cleveland, OH. March 2019.

“Bloody Bodies: Desire and Disgust in Bonnie and Clyde.” American Society for Theatre Research. Atlanta, GA. November 2017.

“Dreaming of Utopic Possibility: Takarazuka’s Androgyny as Genderless Future.” Association for Theatre in Higher Education. Las Vegas, NV. August 2017.

“He is Risen: Performing Christ in Musical Theatre.” Association for Theatre in Higher Education. Las Vegas, NV. August 2017.

“Yiddishe Momme and Mammy: Performing Towards (Ideal) Motherhood.” Comparative Drama. Orlando, FL. April 2017.

“Asian Body as Transgressor in Broadway Musical Theatre.” Mid-America Theatre Conference. Houston, TX. March 2017.

“’A Song that Hits You So Hard’: Emotion, Affect, and Silence in Hedwig and the Angry Inch.” Song, Stage, and Screen XI at City College. New York, NY. June 2016.

“Māo: China’s Transnational Adaptation of Cats.” American Society for Theatre Research. Portland, OR. November 2015.

"’This Cold World Will Remember Us’: Death, Performance, and Legacy in Bonnie & Clyde.” Association for Theatre in Higher Education. Scottsdale, AZ. July 2014.

“Marketing Musicals: Commercializing the Avant-Garde in Spring Awakening.” Association for Theatre in Higher Education. Bruce Kirle Memorial Emerging Scholarship Panel in Music Theatre/Dance. Orlando, FL. August, 2013.

“Not Smashing Stereotypes: Female Representation and the Male Gaze in Smash.” Northeast Modern Language Association. Boston, MA. March, 2013.

“’I Enjoy Being a Girl’: The Asian Female in David Henry Hwang’s Flower Drum Song.” Philadelphia Theatre Research Symposium. Philadelphia, PA. February 2013.